"It has a reputation for being overly intense and scary and that drew my attention right way," Page explained to Variety. Once Page decided to become an actor, he trained at one of the best drama schools in the world, the Drama Centre London, which is the alma mater for other top actors like Michael Fassbender, Tom Hardy, and Pierce Brosnan. "When I got involved in the punk scene, my notion of what a career was changed," he explained in an interview with The Fall. "I realized that a career in the arts was actually about having the people and community to support you making your art." He studied at one of the top drama schools in London. "I found comfort in aggression, in breaking through false walls and challenging norms." Exploring music actually led Page to his calling as an actor. "As a teenager, the idea of running around, screaming at people was very appealing to me," he told The Fall. It’s hard to tell them apart, which only further hampers Anthony’s mission to become a leading man.A post shared by Regé-Jean Page photo posted by on And all the Bridgerton brothers continue to look and sound the same. The compelling quest of Eloise Bridgerton (Claudia Jessie) to discover the identity Lady Whistledown, the writer behind the town’s gossip column, comes to a grinding halt for most of the episodes. Though season 1 hinted that Benedict Bridgerton (Luke Thompson) might be queer, Benedict only beds ladies in season 2, a decision that’s sure to frustrate fans hoping for a queer storyline in this race-blind version of Regency era England. The other Bridgerton siblings are given shockingly little to do. The controversial scene in which Daphne tricks her husband into having sex with her to completion in order to have a child may have rendered her a villain, but it also made her a more interesting character with flaws.īut Bridgerton’s secondary characters cannot save its second season. And once the two were entangled with one another, Daphne became more complex. Regé-Jean Page could have generated sexual tension with an old time-y lamp post. After all, Daphne was fairly bland at the beginning of her courtship with the Duke, all doe eyes and dutiful smiles. The flatness of these characters would not be felt as strongly if season 2 had presented another stand out star. Her younger sister, meanwhile, is generally amiable but does not reveal any discernible desires or ambitions. But she possesses few other characteristics outside of her competitiveness. Kate is a mashup of Elizabeth Bennet and Little Women‘s Jo Marsh-the headstrong woman who defies all of Anthony’s patriarchal expectations. Everyone in the love triangle suffers.Īnthony’s staunch refusal to just marry the woman he loves zaps the series of all momentum. But because the show must concoct a reason for the two to stay apart, Anthony, a man who shuns emotion for practically, decides to propose to the sister he does not love, Edwina. Their mutual hate grows into love, and their heated arguments evolve into obvious foreplay. The writers blatantly model Anthony and Kate’s love story on the relationship between Darcy and Elizabeth in Jane Austen’s Pride and Prejudice. In Bridgerton’s second season, Hastings and Daphne have settled into parenthood-and into the background of the show, as the storyline shifts to focus on a love triangle between Daphne’s brother Anthony (Jonathan Bailey) and the Sharma sisters, the headstrong Kate (Simone Ashley) and the beautiful but bland Edwina (Charithra Chandran). But Page, with his smoldering smile, sold the story’s absurdities. The show did not dwell on the complexities of that encounter-or how the repressed nature of regency England might facilitate such violations-and instead focused on the final reconciliation between husband and wife when they finally agree to have a child. On the page, the story stretched the bounds of credulity and even taste-the young couple’s conflict culminates in a controversial scene in which the Daphne tries to impregnate herself without the Hastings’ consent.
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